Wednesday, September 29, 2010

Making Old Friends

Old Friends from Murray Suid on Vimeo.

Ansel Faraj writes about making OLD FRIENDS:

OLD FRIENDS is a strap yourself in roller coaster ride of a movie! An Action/Crime Thriller made by student filmmakers, it tells the story of Detective Adam Sera, and his relentless search for a psychotic killer known as 'The Eye Snatcher'. It all starts on a normal, everyday morning. On his way to work, Det. Sera (Mihran Konanyan) comes across Josh Briggs (Kevin Shayer), who has been mutilated by the Eye Snatcher.

What starts off as another routine investigation suddenly takes a turn for the bizarre, as the Eye Snatcher (Matthew Greene) begins to attack Det. Sera directly, first by leaving a warning message written on Josh's body, and then by kidnapping Sera's younger sister Emma (Vivian Brasch). Faced with only 24 hours to find her before she will be murdered by the Eye Snatcher, Sera and his boss, Sgt. Craig Hargroves (Linden Chiles) must gather clues from Josh in order to track down the Eye Snatcher's hiding place, to find Emma.

But when the Eye Snatcher orders Sera to meet him at the Santa Monica Pier, and new startling information is revealed to the stressed detective - Sera must use all his emotional strength and detective skills to find Emma before its too late!

The film was shot over a six-month period, beginning in February of 2010, and ending in late August. Using friends from college, Director Ansel Faraj fashioned a story in the old ticking time bomb style, and shot it guerilla style on locations, with just a few blue screen scenes, which were shot in the director's garage. "You can't go to the movies today without seeing a trailer for an action movie", says Director Faraj "they're just everywhere, and they keep getting more and more elaborate. So we decided to try to make an action movie on a limited budget - make it really tight and psychological and intense, and see if we could pull it off and have it be just as good as anything you would see at a multiplex, without being superficial and pretentious. It was really an experiment."

The film's hand held cinematography was designed to visualize the characters frenzied angst, and the color desaturated to a harsh white/blue "the color of dead skin" says Director Faraj. "There are a lot of elements in the film, there's a bit of noir, a bit of drama, and a lot of action. I wanted the film to constantly keep building on itself so that by the end of the film the audience is just as frantic as the characters on the screen. What really inspired the whole thing was the idea of the backstory behind a superhero and his archenemies, you know like who were they before their current predicament? Did they just happen to meet in action, or did they go way back together..? You think of Batman and the Joker, Superman and Lex Luthor, its all comic book lore, so what would happen in a real life setting? What would the superhero and super-villain be represented as? And then the answer is obvious - Detective and Serial Killer."

The film includes a cast of professionals and newcomers. Mihran Konanyan who plays the distressed detective has worked with Ansel Faraj previously on eight films over the years: "I was really hard on him, I kept making him rehearse and rehearse and do take after take after take, and make him jump up and down in between takes just to get him into a really agitated, frustrated mood. And he had a really tough job having to keep it balanced between over-the-top and natural, as well as having to go back to certain moods since we shot out of order off and on for six months. But I think he did a really good job."

Matthew Greene who plays Lucas Deschamp, the deranged killer had been friends with the director as far back as Junior High School: "Matthew is completely unlike his character in the film. In real life he's a timid nice guy, but in this he's bloodthirsty and just a thrill to watch! I gave him THE NIGHT OF THE HUNTER and HENRY PORTRAIT OF A SERIAL KILLER to watch and he came in and did his stuff and was just fantastic. Also, he was shot at a separate time than the rest of the cast, so we used that as part of his character. We looked at him as a very isolated, very bitter man, with this long-term rage just boiling under the surface. And finally one day he acted on his rage and liked it, him killing someone is his release. So he did it again, and then when he found that Adam was the lead detective on his case, a plan formed in his mind. He's so creepy, he's psychotic, but so calm. It's totally unnerving - I never would have thought he would have it in him!".

As Sgt. Craig Hargroves, Director Faraj knew he needed someone very calm and rational and wise - character actor Linden Chiles fit the bill: "I knew Linden through a mutual friend, and we had just finished THREE SHADOWS together, and I said 'Hey Linden, have you ever done an action film?' and he said not really, so I gave him the script, and he liked it and that was pretty much that. He showed up on set, and we really didn't discuss the character much and I said 'Action!' and he shoved Mihran up against the wall and proceeded to berate him, and I knew he had it. He's the anchor that keeps everyone from completely loosing it - well, maybe".

The part of Josh Briggs was written with Kevin Shayer in mind: "We met at school, and became friends, and we then went off and made a Gothic Horror film, [THREE SHADOWS] together and during the time we were working on that, I was writing OLD FRIENDS and wrote him the part - I thought it would be interesting to see him as a helpless bystander that's caught up in this whirlwind of insanity - he's almost the voice of the audience in a way. The film opens with his being mutilated, and we as an audience experience that with him, so from then on throughout the rest of the film, we're constantly on edge, we don't know when something bad is going to happen, and we're helpless to do anything, and Josh represents all of this as a character, so you need a really good actor to represent this. Plus he's hopped up on meds, so he's out of it for the majority of the film, and yet he's able to provide Adam with all these clues, so it's a subtly challenging role. And Kevin did a great job of taking all of these elements and really forming them into a believable character.".

And as Emma - Director Ansel Faraj chose another old friend of his from high school: "Vivian was absolutely perfect for the role. She captures just the right amount of innocence that Emma has. The whole film, everyone is sort of painted in varying shades of gray, but she is completely white - she's the light in this dark fragmented world. And you can really believe that she and Mihran are brother and sister - they have that believable chemistry. You sit through the film, hoping along with the characters that Adam will find her in time, you feel frightened for her - she's perfect in the role, that's all I can say."

All in all, OLD FRIENDS is an exciting film to watch. Fast paced and intense, the film asks each member of the audience a disturbing question: When you reach your boiling point, how much blood will be on your hands? Whether it's a psychotic madman, a frustrated detective, or a terrified young woman, we all have the potential for darkness and rage hidden inside. It just takes a moment for it to come out, and in the end, every action has a consequence that everyone must face.

Wednesday, September 22, 2010

Nomination for the Moviemaker's Choice Award

The Visitors from Caleb McGinnis on Vimeo.

THE VISITORS (nominated by Roxi Khan)

I have chosen 'The Visitors' according to the following criteria: 1. Idea (plot/concept); 2. Script (structure, actions, dialogue/narration/onscreen text); 3. Content (actors, interviewees, locations, etc.); 4. Cinematography; 5. Sound (including effects and music); 6. Editing; and 7. Persuasiveness.

My Analysis as follows:

1. I love the idea that there is only one person on the whole planet that has witnessed something huge and devastating - a big plus that he is the only one who can set things right.

2. Script structure was beautiful - the wording between scenes wasn't too much yet it helped you to understand what was going on. Very Don LaFontaine phrases, loved them! e.g. "While the world slept" then the punchline "He awoke". The actions of the actor were superb, everything you could imagine happening in that situation happened with such realism and yet on a dramatic level to draw you into the plot. No dialogue necessary either, this could even work well as a silent film the actions were so good.

3. The actor was BRILLIANT, the beautiful thing about this story is it really required only one actor to describe everything that was happening throughout. No one else to necessarily interact with, well...except for the shadow of the alien to freak the guy out. Actually that would probably be the only small disappointment I had, if you could have a shadow of an alien it should've looked as less human as possible i.e. have tentacles flapping around and eyes above its head or something along those lines - just to make you think 'whoa wait a sec, did an alien just emerge from the upstairs room?'. Otherwise it could've look like a secret military agent. I guess having the alien with almost human qualities helps us to recognise when it's pointing you out/appearing curious at its surroundings. The locations, although average, were simply perfect for this scenario. It made the invasion just that more believable.

4. The lighting was absolutely superb, for all we know they could've used massive garden lights to look like the alien ship outside the window but it still gave the eerie feel of 'something out there which doesn't seem right'. All the lighting effects were so simple but worked very well as plot devices to move the story forward, which I can tell were computer generated in some instances but that's ok given that it's an alien situation - coming across unusual lights that made it even more alieny but were quite natural in appearance too. The dark bluey grey feel of night is brilliant, gives you this wonderful creepy secure
feeling right up until the red blast. The angles...I am all about camera angles and these angles were amazing. Caught the emotions beautifully and all the necessary close up shots to pull you into this guy's traumatic experience.

5. Music and sound fx were ingenious, very cinematic audio track for that extra drama. The boom of the explosion wasn't annoying at all either, some explosions I've seen in films make you think 'whoa that's enough!' but with this it was a beautiful surprise - it was enough to give you an 'uh oh' feeling but not so much to make you stick cotton wool in your ears!

6. As someone who loves editing camera angles and tying sounds/music to scenes...it really is superb editing work. I love the editing nearer the end when he's running through the rain and we keep cutting to the moment he pauses to stare at the sky. We know he'll eventually pause in shock anyway after running, so it's great that the editor keeps giving us a taste of this inevitable moment - just to add that extra suspense to what we will eventually see in the sky.

7. Even though I have seen this type of concept done before, this has been done with such finesse. The story...well, who can resist that sort of story? It makes me curious as to HOW he will solve this crisis and all alone. I'll be ready with a bag of popcorn as soon as it hits cinemas! ;)

Sunday, September 19, 2010

CONGRATULATION TO PEOPLE'S CHOICE
GENRE WINNERS!


International Movie Trailer Festival has announced the genre winners in the competition!

Sci Fiction/Fantasy: Iron Sky

Romantic Comedy: April Fools

Drama: Manifest Destiny

Documentary: Daddy I Do

Children/Family: Children of the Wind

Comedy: Cineplex

Suspense/Thriller: Fragment

Action/Adventure: Dilated

Mystery/Crime: Gold Hill

Animation: Night of Light

Horror: Harold's Going Stiff

Road Movie: Night of the Alien

Musical Comedy: Time for a Hero

Check out all of the trailers here!

Monday, September 13, 2010

Max Speed wins People's Choice Award!

Beautiful Girl from Max Speed on Vimeo.

Max Speed writes about Beautiful Girl winning the People's Choice Award:

When we woke up in the morning to see that we had won The People's Choice Award, the phones started ringing, email flooded and posts on facebook lit up like Christmas.

K-Rock 89.3 called me for a telephone interview live on air just before we went to the party.

Z103 Halifax called me to come in right away after the party as they were the first to offer up support at the beginning of all this.

We will now do as we promised and make the movie using the prize money in addition to funds we raise from our annual MASSIVE halloween masquerade ball here by Phantom F/X.

Normally when you make a movie, the Executive Producer is a person...in this case, we will credit the Executive Producer as, "The People That Voted."

On behalf of the cast and crew of Beautiful Girl, our heart and thanks go to The International Movie Trailer Festival, media support, and most importantly fans, friends and family.

"We made a movie trailer, the people made it famous."

Friday, September 10, 2010

Making THE HANDEYEMAN DISCOVERS PLANET EARTH

The Handeyeman Discovers Planet Earth from John Graybill on Vimeo.

John O. Graybill writes about making THE HANDEYEMAN DISCOVERS PLANET EARTH:

John O. Graybill is the creator of the Handeyeman® and all related concepts. Many years ago while a college freshman, he and several buddies of his were drawing silly pictures and passing them around to each other and having some good laughs. During this exercise the Handeyeman® was born. After this little drawing party, the Handeyeman® image slept in his brain for forty years or so. Seeing other ubiquitous animated characters enjoying great success reminded him of the sleeping Handeyeman®. So the Handeyeman® was resurrected and now is poised to become one of humanities great icons.

Tuesday, September 7, 2010

Making Cockpit

Cockpit Trailer (with new sound design) from Jesse Griffith on Vimeo.

Jesse Griffith writes about making COCKPIT:
"Cockpit" is sheer tenacity. This screenplay has been a finalist in several contests, including the Paranoia Film Festival, Visionfest 2010, Paranoia Film Festival, Scriptsavvy.net, and the Oklahoma Horror Film Festival. Many rate my screenplay as an "EXTREMELY HIGH" budget range. However I wrote it with a modest horror film budget in mind. 96 pages of this story take place confined in a cockpit. The other 24 pages,. well that's where the magic of greenscreen comes in. To prove it, I shot a short film, edited it, and did all the fx work on my laptop. This is home made to the core. Looking at the short, I realized I had enough great material for a trailer for the feature.

I'm not a great FX artist, I'm just a director who is too stubborn to accept that he can't afford to do the James Cameron / George Lucas film inspired stories that I have always loved. I'm not a great sound designer. I'm just a director who is too stubborn to accept that I can't afford a Hollywood level sound design. So I threw myself into these tasks and probably got in over my head. But by doing so, in the end, some friends took mercy on me and helped me out with a couple of shots and others helped with my sound mix. And because it was looking much better than many had ever guessed it would, I even got Greg Edmonson, the composer from Joss Whedon's "Firefly" to do the music for the trailer.

A vote for this trailer is a vote for one man's dream that if made, will engage and excite the millions who love the sci fi genre.

Friday, September 3, 2010

Making Humanosaur

Humanosaur from Roxi Khan [Rocksea Renegade] on Vimeo.

Roxi Khan writes about HUMANOSAUR:

A DINOSAUR OF A TRAILER

Over the years I have found Second Life an excellent platform for a filming format called 'Machinima'. That's because its free to sign up for, it's fairly cheap to film there and plus you are only limited by your imagination, you really can do almost anything you want in there!

With this trailer I wanted to take advantage of the idea of being able to produce something that doesn't exist (i.e. dinosaurs!) and to be able to play around with some camera angles that would be otherwise difficult to obtain in real life. Best of all, you don't have to necessarily beg your best friends to play a role they don't want to - you can create 'alts', basically extra avatars that you can control yourself. I usually find it easier this way because I don't end up feeling guilty about taking up too much of someone's time, either that or boring to them to death while I check over the footage to see if the shot came out ok!

To do machinima you need to have a movie capture program on your desktop to capture any onscreen action within Second Life. Since I'm on a Mac I use a program called 'iShowU' which didn't cost an awful lot, in fact most capture programs are either free or cost just a little money, so there should be no problem finding one to suit your operating system.

There is an ever growing machinima community within Second Life, to a point where there is now a 'Second Life Machinima Artists Guild' (SL MAG) set up. Here people wishing to learn more about the craft, or would just like to share their works and techniques, can come to this group for advice at http://slmachinimaarts.ning.com/ . So if you're ever looking to get into this area and are around in SL look me up, my virtual identity is Rocksea Renegade.

Since I am keen to become a film trailer editor, as a serious career, I spent the last couple of years creating several game trailers through this method for a company in Second Life called 'MadPea Productions'. Who by the way have awesome games there...sorry couldn't resist the plug! Hehe. Anyway, I am now hoping to make the transition to film trailer editor and entering this contest has been a brilliant opportunity to expand on my showreel. So thank you IMTF!